Portrait of George Aloysius Lucas
(18th and 19th Centuries )
George A. Lucas (1824-1909) of Baltimore sailed to Europe in 1857, never to return to America. During his long residence in Paris, he supplemented his private income by representing the interests of a number of American collectors, including William T. Walters of Baltimore and Samuel P. Avery of New York. In a preface to a publication of 1885, Walters wrote of Lucas, "The debt I owe him for his good judgment, mature experience and cheerful co-operation in nearly all I have accomplished as amateur and collector, I find only less than the value I place upon his sterling truth, and upon his worth as a man and a friend."
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Commissioned by William T. Walters (through George A. Lucas as agent), Baltimore, January 10, 1885 [1] [2]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.
[1] Diary of George A. Lucas 18 November 1885.
[2] The Diary of George A. Lucas, p. 601.
Exhibitions
2006 | A View Toward Paris: The Lucas Collection of Nineteenth Century French Art. Baltimore Museum of Art, Baltimore. |
1984 | The Taste of Maryland: Art Collecting in Maryland 1800-1934. The Walters Art Gallery, Baltimore. |
1979 | A Baltimorean in Paris: George A. Lucas, 1860-1909. The Walters Art Gallery, Baltimore. |
Geographies
France, Paris (Place of Origin)
Measurements
H: 50 13/16 x W: 36 7/16 in. (129 x 92.5 cm); Framed: H: 64 1/2 x W: 49 3/4 x D: 4 1/2 in. (163.8 x 126.4 x 11.4 cm)
Credit Line
Commissioned by William T. Walters, 1885
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.759