Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Miniature Manuscript Used as a Pendant
(Manuscripts and Rare Books, Renaissance Europe )
This tiny manuscript written for a lady served as a pretty pendant as well as a prayer book. The gold cover is enameled and set with rubies. During the Renaissance, miniature books were valued as works of virtuosity as well as devotional aids. The chain allowed it to be hung as a pendant, possibly from a girdle or a rosary. The text inside--the seven penitential psalms associated with King David’s penance for his adulterous relationship with Bathsheba--is perfectly legible. The manuscript also contains two tiny and beautifully painted illuminations, one of the Virgin Mary and the other of Christ. The scribe who copied the text signed his work as Jacobus Romanus.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Henry Walters, Baltimore, after 1895 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2009 | Shrunken Treasures: Miniaturization in Books and Art. The Walters Art Museum, Baltimore. |
| 2005 | The Closed Book: Seven Short Stories. The Walters Art Museum, Baltimore. |
| 2002 | The Closed Book: Seven Short Stories. The Walters Art Museum, Baltimore. |
| 1997-1998 | Covered in Meaning: Book Bindings from The Walters. The Walters Art Gallery, Baltimore. |
| 1993 | The Art of Fine Binding in the Renaissance. The Walters Art Gallery, Baltimore. |
| 1984-1985 | Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore. |
| 1979-1980 | Jewelry - Ancient to Modern. The Walters Art Gallery, Baltimore. |
| 1971-1972 | World of Wonder. The Walters Art Gallery, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 6/2/2014 | Examination | Examined for digitization |
| 6/2/2014 | Examination | The binding is made of gold sheet with engraved patterns and recesses. The enameling technique is champlevé. White opaque enamel fills the background recessed areas surrounding the curvilinear decoration. The white enamel has some losses and cracks that are from mechanical damage. The dark blue enamel forming dashed borders around the perimeter and central ruby is unstable. The original enamel recipe has caused the blue enamel to break down or crizzle. The text block is secured by a single gold pin of the same size as the hinge pins on the binding. The gemstones are rubies or spinels and fluoresce under long and short wave ultraviolet light. |
Geographies
Italy, Rome (Place of Origin)
Measurements
Folio: H: 7/8 × W: 11/16 in. (2.2 × 1.7 cm)
Binding: H: 1 × W: 15/16 × D: 5/16 in. (2.5 × 2.4 × 0.8 cm)
Binding with chain: H: 2 5/8 × W: 1 × D: 9/16 in. (6.6 × 2.5 × 1.5 cm)
Credit Line
Acquired by Henry Walters, after 1895
Location in Museum
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.444