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Arab Mendicant in Meditation
(18th and 19th Centuries )
In this work, the artist depicts the figure in such a way that most of his face is obscured, creating a sense of mystery. Everything we know about the character of this man is expressed though his posture, clothes, and objects, like his bowl containing a few coins. Very little is known about Camino’s training; he visited Algeria in the early 1850s, which inspired the art he made in the decades that followed.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Purchased by William T. Walters, Baltimore; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.
Exhibitions
| 2017 | Training the Eye: 19th-Century Drawing. |
| 2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 1/1/2002 | Treatment | examined for exhibition; cleaned |
| 1/17/2017 | Examination | examined for exhibition |
Geographies
France (Place of Origin)
Measurements
H: 12 3/8 x W: 8 1/4 in. (31.5 x 21 cm)
Credit Line
Acquired by William T. Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1336