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Nudes

Émile Bernard (French, 1868-1941) (Artist)
early 20th century
Chinese ink over a preparatory sketch in pencil on paper
(18th and 19th Centuries )

This post-impressionist painter, together with Louis Anquetin (1861-1932) and Paul Gauguin (1848-1903), introduced "cloisonnism" (a term derived from cloisonné enameling) into French painting in 1887. Forms were reduced to their simplest shapes and separated by dark contours. Though this drawing dates from the 20th century, it still reflects advice Bernard gave early in his career: "You have to simplify the spectacle in order to make some sense of it. You have, in a way, to draw a plan."

Inscription

[Transcription] on reverse: -4 and -AY

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Paul Prouté, 74, rue de Sèvres, Paris [date and mode of acquisition unknown] [identified as "Minerva, Venus and Diana"]; Joseph F. McCrindle (1923-2008), New York, November 28, 1985, by purchase [#A1463]; Joseph F. McCrindle Foundation, New York, 2008, by bequest; Walters Art Museum, 2009, by gift.

Exhibitions

2010 Expanding Horizons: Recent Additions to the Drawings Collection. The Walters Art Museum, Baltimore.

Conservation

Date Description Narrative
1/1/2002 Examination examined for exhibition
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Geographies

France (Place of Origin)

Measurements

H: 8 3/4 x W: 6 1/8 in. (22.23 x 15.56 cm)

Credit Line

Gift of the Joseph F. McCrindle Collection, 2009

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

37.2808

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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