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Panel Portrait of a Bearded Man
(Roman Empire )
Prior to the Roman Period, the likeness of the deceased on the mummy mask, coffin, and sarcophagus was an idealized representation that conformed to the general style of the period. With the arrival of Roman rule in Egypt, mummy portraits became increasingly naturalistic. The new style of portraiture was sometimes rendered in two-dimensional paintings on a wood panel or on linen. The panel portraits were made in either tempera paint or in encaustic, like this example. Encaustic painting is a technique in which the pigment is dissolved in wax before it is applied to the surface.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Dikran Kelekian, New York and Paris [date and mode of acquisition unknown] [as from Fayum]; Henry Walters, Baltimore, 1912, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2011-2012 | Transitions to Christianity. Alexander S. Onassis Public Benefit Foundation (USA), New York. |
| 1989 | Beyond the Pharaohs: Egypt and the Copts in the Second to Seventh Centuries A.D.. Museum of Art, Rhode Island School of Design, Providence; The Walters Art Gallery, Baltimore. |
| 1983 | Focus on Art. The Walters Art Gallery, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 11/24/1998 | Examination | survey |
| 1/10/2001 | Treatment | other |
Geographies
Egypt, Faiyum (er-Rubayat (?)) (Place of Origin)
Measurements
H: 15 15/16 x W: 7 7/8 in. (40.5 x 20 cm)
Credit Line
Acquired by Henry Walters, 1912
Location in Museum
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
32.6