![Image for En’ya Takasada’s Wife, Lady Kaoyo [right], and Takebayashi Sadashichi, Takashige’s Mother [left]](https://art.thewalters.org/images/art/PS3_95.335_Fnt_DD_JP09.jpg)
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![En’ya Takasada’s Wife, Lady Kaoyo [right], and Takebayashi Sadashichi, Takashige’s Mother [left] Thumbnail](https://art.thewalters.org/images/art/thumbnails/s_PS3_95.335_Fnt_DD_JP09.jpg)
En’ya Takasada’s Wife, Lady Kaoyo [right], and Takebayashi Sadashichi, Takashige’s Mother [left]
1848-1849 (late Edo)
ink and color on mulberry paper
(Japan and Korea )
(Japan and Korea )
Right: Enya Takasada no shitsu Kaoyo-gozen (wife of Enya Hangan), Left: Takebayashi Sadahichi Takashige no haha (mother of Takashige).
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Robert S. Shaull; by bequest to Walters Art Museum, 1990.
Exhibitions
| 2018-2019 | Japanese Woodblock Prints: The Art of Collaboration. The Walters Art Museum, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 8/17/2018 | Treatment | examined for exhibition; re-housed; surface cleaned |
Geographies
Japan, Tokyo (Place of Origin)
Credit Line
Bequest of Robert S. Shaull, 1990
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
95.335