Tiger Rolling
(18th and 19th Centuries )
In this amusing scene, the tiger rolls on the ground, rubbing its back in a manner similar to that of domestic cats. The old oak tree resembles those that Barye sketched in the Forest of Fontainebleau. Barye repeated this tiger several times in his watercolors, altering the backgrounds.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Carmentier; William T. Walters, Baltimore, prior to 1889, by purchase [George A. Lucas as agent]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
2007-2008 | Untamed: The Art of Antoine-Louis Barye. The Walters Art Museum, Baltimore; Philbrook Museum of Art, Tulsa; The Henry Morrison Flagler Museum, Palm Beach. |
2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
2004-2005 | The Road to Impressionism: Landscapes from Corot to Manet. The Walters Art Museum, Baltimore. |
1994 | The Wild Kingdom of Antoine-Louis Barye, 1795-1875. Wildenstein & Company, New York. |
1889-1890 | The Works of Antoine-Louis Barye. American Art Gallery (New York), New York. |
Conservation
Date | Description | Narrative |
---|---|---|
6/7/1989 | Treatment | examined for exhibition; other |
1/1/2002 | Treatment | examined for exhibition; examined for loan; re-housed; mounted |
Geographies
France, Paris (Place of Origin)
Measurements
H: 9 3/8 x W: 11 3/4 in. (23.8 x 29.8 cm)
Credit Line
Acquired by William T. Walters, before 1889
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.818