At the Well
ca. 1854-1879
pastel on gray, moderately thick, moderately rough, wove paper
(18th and 19th Centuries )
(18th and 19th Centuries )
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
William T. Walters, Baltimore, before 1879, [mode of acquisition unknown]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
1992-1993 | Italian Vistas: Selections from the Permanent Collection. The Walters Art Gallery, Baltimore. |
1983 | A Connoisseur's Portfolio: Nineteenth-century Drawings and Watercolors in the Walters Art Gallery. The Walters Art Gallery, Baltimore. |
Conservation
Date | Description | Narrative |
---|---|---|
1/1/2002 | Treatment | examined for exhibition; repaired; mounted |
Geographies
France (Place of Origin)
Measurements
H: 13 3/16 x W: 10 9/16 in. (33.5 x 26.9 cm)
Credit Line
Acquired by William T. Walters, before 1879
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.908