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Image for Covered Bowl and Tray (écuelle ronde tournée et plateau ovale)
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Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail
Covered Bowl and Tray (écuelle ronde tournée et plateau ovale) Thumbnail

Covered Bowl and Tray (écuelle ronde tournée et plateau ovale)

Sèvres Porcelain Manufactory (French, active 1756 - present) (Manufacturer)
Vincent Taillandier (French, 1736 - 1790) (Decorator)
French (Artist)
ca. 1775-1785
soft paste porcelain, enamels, gilding
(18th and 19th Centuries )

Aristocrats would have used this matching set of porcelain dishes to consume soups and broths during their daily toilette, a lengthy dressing ritual performed before an audience. Using the two handles, a person would drink from the bowl and, when finished, cover it with the lid to keep the liquid warm and free from powders, which were liberally applied to an individual’s hair, face, and body during the dressing ritual. The plateau, or large saucer, was for bread – toasted or soaked in broth -- that accompanied the hot, restorative liquids. This particular "écuelle et plateau" features a pink pointillé ground with two reserves, or areas reserved for imagery, on each separate piece. All reserves have a white ground and feature baskets of assorted flowers.

Inscription

[Factory Mark] painted in blue on underside of bowl and tray: [intertwined LLs]
[Decorator's Mark] painted in blue on underside of bowl and tray: [a fleur-de-lis, for Vincent Taillandier, active 1753-1790, and Genviève Taillandier, active 1774-1798]

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Collection of William T. or Henry Walters, Baltimore, before 1909 [date and mode of acquisition unknown] [1]; by bequest to the Walters Art Museum, 1931.

[1]. This piece is visible in a photograph preserved in the Walters Art Museum Archives of a display of European porcelains in the Walters Art Gallery that was taken around the time Henry Walters opened the Gallery in 1909.

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Geographies

France, Sèvres (Place of Origin)

Measurements

Overall Bowl, Plate, and Lid H: 4 15/16 × W: 8 7/8 × D: 7 3/16 in. (12.5 × 22.5 × 18.3 cm); Bowl and Lid H: 4 1/2 × W with Handles: 6 3/4 × D: 5 1/8 in. (11.5 × 17.1 × 13 cm); Bowl H: 2 3/16 ×W with Handles: 6 3/4 × D: 5 1/8 in. (5.6 × 17.1 × 13 cm); Plate H: 1 9/16 × W: 8 7/8 × D: 7 3/16 in. (4 × 22.5 × 18.3 cm); Lid H: 3 × W: 5 3/8 in. (7.6 × 13.6 cm).

Credit Line

Acquired by William T. or Henry Walters

Location in Museum

Centre Street: Fourth Floor: Across Asia - Arts of Asia and the Islamic World

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

48.698

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