Creative Commons License
Studies for General Bonaparte
ca. 1862
graphite on cream, moderately thick, slightly textured laid paper
(18th and 19th Centuries )
(18th and 19th Centuries )
Barye drew this study in preparation for modeling General Bonaparte. It differs from the final bronze in that it shows Napoleon wearing a bicorn hat decorated with plumes.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Mme Vildieu (born Georgine-Virginie-Henriette Barye); Fabius Frères, Paris; Walters Art Museum, 1949, by purchase.
Exhibitions
| 2007-2008 | Untamed: The Art of Antoine-Louis Barye. The Walters Art Museum, Baltimore; Philbrook Museum of Art, Tulsa; The Henry Morrison Flagler Museum, Palm Beach. |
| 2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 1/1/2002 | Treatment | examined for exhibition; re-housed; cleaned; repaired |
| 2/23/2007 | Treatment | cleaned; mounted; re-housed |
Geographies
France, Paris (Place of Origin)
Measurements
5 15/16 x 7 11/16 in. (15.1 x 19.5 cm)
Credit Line
Museum purchase, 1949
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.2240
