Antiphonary

Exhibitions Provenance Credit

Exhibitions

The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore. 1962.
Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore. 1984-1985.
Manuscript Painting in the Renaissance. The Walters Art Gallery, Baltimore. 1989-1990.
The Gothic Illuminators of Florence. The Metropolitan Museum of Art, New York. 1994-1995.
Music in Manuscripts. The Walters Art Gallery, Baltimore. 1996-1997.
Dressed in Gold: Books of the Italian Renaissance. The Walters Art Museum, Baltimore. 2005-2006.
The Legacy of Giotto, Art in Florence, 1340-1370. Galleria degli Uffizi, Florence. 2008.
Seeing Music in Medieval Manuscripts. The Walters Art Museum, Baltimore. 2014.

Provenance Chapel of Saint Nicholas of Bari of San Pier Maggiore, Florence; Marshall C. Lefferts [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1901, by purchase; Walters Art Museum, 1931, by bequest.

Credit Acquired by Henry Walters, 1901

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Creator

Cenni di Francesco di Ser Cenni (Italian, active 1369-1415) (Artist)

Period

ca. 1380 (Medieval-early Renaissance)

Medium

parchment
(Manuscripts & Rare Books)

Accession Number

W.153

Measurements

Folio H: 23 13/16 x W: 16 7/16 in. (60.5 x 41.8 cm)

Geographies

Italy, Florence (Place of Origin)

Location Within Museum

Not On View

Leaf from Antiphonary	Title
ca. 1380 (Medieval-early Renaissance)	Period
W.153.18R	Accession

Initial N with Saint Peter Enthroned and the Liberation of Saint Peter	Title
ca. 1380 (Medieval-early Renaissance)	Period
W.153.35V	Accession

Initial S with Peter Receiving the Keys from Christ	Title
ca. 1380 (Medieval-early Renaissance)	Period
W.153.4V	Accession

Binding from Antiphonary	Title
ca. 1380 (Medieval-early Renaissance)	Period
W.153.binding	Accession