Creative Commons License
Antiphonary
ca. 1380 (Medieval-early Renaissance)
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Chapel of Saint Nicholas of Bari of San Pier Maggiore, Florence; Marshall C. Lefferts [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1901, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2014 | Seeing Music in Medieval Manuscripts. The Walters Art Museum, Baltimore. |
| 2008 | The Legacy of Giotto, Art in Florence, 1340-1370. Galleria degli Uffizi, Florence. |
| 2005-2006 | Dressed in Gold: Books of the Italian Renaissance. The Walters Art Museum, Baltimore. |
| 1996-1997 | Music in Manuscripts. The Walters Art Gallery, Baltimore. |
| 1994-1995 | The Gothic Illuminators of Florence. The Metropolitan Museum of Art, New York. |
| 1989-1990 | Manuscript Painting in the Renaissance. The Walters Art Gallery, Baltimore. |
| 1984-1985 | Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore. |
| 1962 | The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore. |
Geographies
Italy, Florence (Place of Origin)
Measurements
Folio H: 23 13/16 x W: 16 7/16 in. (60.5 x 41.8 cm)
Credit Line
Acquired by Henry Walters, 1901
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.153
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