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Peacock-Shaped Fibula
This fibula is one of a pair crafted in a workshop in northern France. The peacock likely reflects Roman or Byzantine influence, as it is not native to northern France. In early Christian art, the peacock was a symbol of immortality. Knowledge of the bird could have passed to northern France through the transmission of Christian iconography in textiles, books, and other portable objects. The fibula originally was one of a pair of brooches worn by women on either side of the chest. A second gold peacock fibula, plausibly the mate to this one, belongs to the Hungarian National Museum in Budapest.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Henry Walters, Baltimore, [date of acquisition unknown] by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
| 1999-2000 | Vive la France! French Treasures from the Middle Ages to Monet. The Walters Art Gallery, Baltimore. |
| 1979-1980 | Jewelry - Ancient to Modern. The Walters Art Gallery, Baltimore. |
| 1947 | Early Christian and Byzantine Art. Baltimore Museum of Art, Baltimore. |
| 1953-1957 | 4000 Years of Modern Art. The Walters Art Gallery, Baltimore; Baltimore Museum of Art, Baltimore. |
Geographies
France (Place of Origin)
Measurements
H: 1 1/8 x W: 1 1/2 x D: 5/16 in. (2.9 x 3.9 x 0.9 cm)
Credit Line
Acquired by Henry Walters
Location in Museum
Centre Street: Third Floor: Migration and Early Medieval Art
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
57.570