Creative Commons License
Study for "Slave Market at Rome"
ca. 1884
graphite on cream, moderately-thick, slightly textured, wove paper; black crayon on verso
(18th and 19th Centuries )
(18th and 19th Centuries )
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Estate of Aimé Morot, Paris, 1904, by inheritance; Jean-Paul Meulemeesters, Brussels, 1926, by purchase; Mrs. Eugenie Mudge, by purchase; Walters Art Museum, 1985, by gift.
Exhibitions
| 2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
| 1998-1999 | Botanical Delights: Floral Motifs in 19th-Century Art. Government House, Annapolis; Strathmore Hall Art Center, North Bethesda; Academy Art Museum, Easton. |
| 1998-1999 | A Discerning Eye: Nineteenth-century Drawings and Watercolors. Academy Art Museum, Easton. |
| 1997-1998 | French Master Drawings. The Walters Art Gallery, Baltimore. |
| 1992 | French Masterworks on Paper. The Walters Art Gallery, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 1/1/2002 | Treatment | examined for exhibition; re-housed |
Geographies
France (Place of Origin)
Measurements
7 3/16 x 7 13/16 in. (18.3 x 19.9 cm)
Credit Line
Gift of Mrs. E. T. Mudge in memory of her late husband, E. T. Mudge III, 1985
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.2620
