Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Pendant with the Crucifixion
This pendant, meant to prompt meditation as well as to provide ornamentation, takes the shape of the Crucifixion, with Mary and St. John on either side of Christ. The cross is represented as the Tree of Life, with a ruby set below Christ's feet. The ring at the top was for a chain to suspend the pendant, while that at the bottom was probably for a pearl, a common addition to many pendants of the time.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Henry Walters, Baltimore, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
| 1984-1987 | Objects of Adornment: Five Thousand Years of Jewelry from the Walters Art Gallery, Baltimore. Cooper-Hewitt National Design Museum, New York; Chrysler Museum of Art, Norfolk; Carnegie Museum of Art, Pittsburgh; San Antonio Museum of Art, San Antonio; Philbrook Museum of Art, Tulsa; Honolulu Academy of Arts, Honolulu; New Orleans Museum of Art, New Orleans; Milwaukee Art Museum, Milwaukee; Minneapolis Institute of Art, Minneapolis; Toledo Museum of Art, Toledo; The John and Mable Ringling Museum of Art, Sarasota. |
| 1987 | Jewelry from the Walters Art Gallery and the Zucker Family Collection. The Walters Art Gallery, Baltimore. |
| 1979-1980 | Jewelry - Ancient to Modern. The Walters Art Gallery, Baltimore. |
Geographies
Germany (Place of Origin)
Measurements
2 13/16 x 1 1/4 x 5/16 in. (7.2 x 3.1 x 0.8 cm)
Credit Line
Acquired by Henry Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
57.654