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Image for Medallion with the Emperor Augustus's Vision of the Virgin and Child
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Medallion with the Emperor Augustus's Vision of the Virgin and Child Thumbnail

Medallion with the Emperor Augustus's Vision of the Virgin and Child

Circle of the Limbourg Brothers (North Netherlandish, active 1400 - 1416) (Artist)
ca. 1420 (Late Medieval)
painted enamel on silver (?) with gilded silver mount
(Renaissance Europe , Jewelry)

According to legend, the Roman emperor Augustus asked a prophetess if there was anyone greater than himself. It was the day of Christ's birth, and the answer came to the emperor in a vision: a golden circle around the sun, in the middle of which was a beautiful virgin and a child. One side of the pendant shows Augustus and the other, the Virgin and Child.

The sophisticated style, superb workmanship, and imagery connect this piece to the Parisian workshop of Jean and Paul de Limbourg from Guelders (in the northern Netherlands), who created some of the finest International Gothic manuscript paintings. They initially trained as goldsmiths and their younger brother Arnold (of whom no works are known) was a goldsmith in Guelders. The enamelist who created this masterpiece and a few related works was an accomplished painter as well as a goldsmith.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

The Honourable William Frederick Barton Massey-Mainwaring (28 May 1845 – 12 March 1907), 30 Grosvenor Place, London; with G. R. Harding, London; Henry Walters, Baltimore, 1914, by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

2010 Art of Illumination: The Belles Heures of Jean de France, Duc de Berry. The Metropolitan Museum of Art, New York.
2004-2005 Art from the Court of Burgundy, 1364-1419. Musée des Beaux-Arts de Dijon, Dijon; The Cleveland Museum of Art, Cleveland.
1996-1997 Russian Enamels. The Walters Art Gallery, Baltimore.
1992 Schatzkammerstücke aus der Herbstzeit des Mittelalters: Das Regensburger Emailkästchen und sein Umkreis. Bayerisches Nationalmuseum, Munich.
1979-1980 Jewelry - Ancient to Modern. The Walters Art Gallery, Baltimore.
1977-1978 I, Claudius: Art in the Age of Julio-Claudians. The Walters Art Gallery, Baltimore.
1962 The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore.

Conservation

Date Description Narrative
3/22/1962 Examination examined for loan
3/11/1992 Treatment cleaned
3/11/1992 Loan Consideration examined for loan
10/30/1996 Treatment cleaned
7/29/2003 Loan Consideration examined for loan
10/7/2004 Examination examined for condition
3/22/2006 Technical Report examined for technical study
3/1/2007 Treatment re-housed
1/12/2010 Treatment cleaned
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Geographies

France, Paris (Place of Origin)

Measurements

H: 2 3/8 x Diam: 2 1/16 x D: 3/16 in. (6.1 x 5.2 x 0.5 cm)

Credit Line

Acquired by Henry Walters, 1914

Location in Museum

Centre Street: Third Floor: International Gothic

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

44.462

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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