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Image for Mirror Case with Attack on the Castle of Love
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Mirror Case with Attack on the Castle of Love Thumbnail
Mirror Case with Attack on the Castle of Love Thumbnail
Mirror Case with Attack on the Castle of Love Thumbnail
Mirror Case with Attack on the Castle of Love Thumbnail
Mirror Case with Attack on the Castle of Love Thumbnail
Mirror Case with Attack on the Castle of Love Thumbnail
Mirror Case with Attack on the Castle of Love Thumbnail
Mirror Case with Attack on the Castle of Love Thumbnail
Mirror Case with Attack on the Castle of Love Thumbnail
Mirror Case with Attack on the Castle of Love Thumbnail
Mirror Case with Attack on the Castle of Love Thumbnail
Mirror Case with Attack on the Castle of Love Thumbnail
Mirror Case with Attack on the Castle of Love Thumbnail
Mirror Case with Attack on the Castle of Love Thumbnail

Mirror Case with Attack on the Castle of Love

French (Artist)
1320-1340 (Medieval)
ivory
(Medieval Europe )

The popularity of ivory luxury goods reached its height around 1350, but they were made well into the 15th century. Associated with intimacy, mirrors were often given as courting gifts. A portable mirror consisted of a case in two parts with a polished metal disk fitted inside.

In this allegorical battle scene, knights attack ladies in a castle using catapults and crossbows that launch flowers. The ladies also shower their adversaries with flowers dropped from buckets. The god of love presides over all. A single knight has reached his lady by scaling the wall. This scene and those of the knights riding away may be three moments in an elopement narrative. The case originally had fantastic animals forming the four corners.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Treasury of the Cistercian Abbey of Rein, Styria; Jacques Seligmann, Paris, 1928, by purchase; Henry Walters, Baltimore, December 1, 1928, by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

2016-2017 A Feast for the Senses: Art and Experience in Medieval Europe. The Walters Art Museum, Baltimore; The John and Mable Ringling Museum of Art, Sarasota.
2002 The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible. The Walters Art Museum, Baltimore; Academy Art Museum, Easton; Princeton University Art Museum, Princeton; The Mitchell Gallery, Annapolis; Williams College Museum of Art, Williamstown.
1998-2001 Highlights from the Collection. The Walters Art Gallery, Baltimore.
1997 Images in Ivory: Precious Objects of the Gothic Age. The Detroit Institute of Arts, Detroit; The Walters Art Gallery, Baltimore.
1995-1996 Medieval Games of Love and War. The Walters Art Gallery, Baltimore.
1984-1985 Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore.

Conservation

Date Description Narrative
1/11/1962 Treatment cleaned
10/1/1984 Treatment cleaned
9/11/1995 Treatment cleaned; loss compensation
9/13/1995 Loan Consideration examined for loan
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Geographies

France (Place of Origin)

Measurements

H: 5 3/16 × W: 5 × D: 3/8 in. (13.2 × 12.7 × 1 cm)

Credit Line

Acquired by Henry Walters, 1928

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

71.169

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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