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Triptych with Lamentation Over Christ with Donors and Saints
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Triptych with Lamentation Over Christ with Donors and Saints


Description Conservation Exhibitions Provenance Credit
Description This altarpiece was probably made for the family chapel of the couple portrayed on the wings. The elegantly carved central scene of the mourning over the dead Christ is set into a niche, as if in a church. After the central scene was carved, painted, and gilded (probably in Brussels), the unfinished triptych would have been sent to the shop of a painter. The style suggests that he was influenced by Hugo van der Goes (active ca. 1440-1482) and probably worked in Ghent. There the wings were finished with commissioned portraits. The wings show the donors kneeling in prayer, accompanied by their patron saints, John the Baptist and Mary Magdalene. The linked initials, I and M, are surely those of the donors' first names, Jan (I and J were written the same) and Maria (which we can guess from their patron saints), but their family name is unknown. The face of Maria is subtly painted, while the coarse execution of the husband's face is a later alteration. This is probably Maria's second husband, whose profile replaces the scraped remains of an earlier portrait, presumably Maria's first (dead?) husband. For another portrait of a donor with John the Baptist by Hugo van der Goes, see Walters 37.296.
Conservation
Date Description Narrative
12/31/1969Technical Reportchemical analysis; examined for technical study
3/11/1939Treatmentcleaned; coated; inpainted; loss compensation
2/18/1970Treatmentexamined for condition; x-ray
2/20/1970Examinationexamined for condition
1/18/1982Examinationexamined for infrared spectroscopy; other
11/01/1986Treatmentinpainted; varnish removed or reduced
7/21/2000Treatmentcoated; inpainted; repaired; surface cleaned; varnish removed or reduced
Exhibitions
  • Time Sanctified: The Book of Hours in Medieval Art and Life. The Walters Art Gallery, Baltimore. 1988.
  • Small Northern European Portraits from The Walters Art Gallery, Baltimore. National Gallery of Art, Washington. 2000.
Provenance Jacques Seligmann, Paris, by purchase; Henry Walters, Baltimore, 1914, by purchase; Walters Art Museum, 1931, by bequest.
Credit Acquired by Henry Walters, 1914

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Creator
Period
ca. 1490 (Early Modern)
Medium
oil and gold leaf on panel (wings), painted and gilded wood (central section)
(Painting & Drawing)
Accession Number
37.242
Measurements
open: 30 x 32 5/8 x 9 in. (76.2 x 82.9 x 22.8 cm)
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