Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for Portrait of the Emperor Vitellius
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
Portrait of the Emperor Vitellius Thumbnail
Portrait of the Emperor Vitellius Thumbnail

Portrait of the Emperor Vitellius

Jean Miette (French, active 2nd half 16th century) (Artist)
2nd half 16th century
painted enamels on copper
(Renaissance Europe )

In the well of the circular plate is painted the bust portrait of the Roman Emperor Vitellius in left profile, copied from an engraving (which itself was derived from a sculpture, rather than from a numismatic type). Possibly the inscription was an afterthought, because it is not concentric with the periphery of the well of the plate, in addition to it being misspelled. However, it was certainly gilt and fired at the time that the plate was enameled. The P of P[ontifex] is provided with the long bar found in the stamps of the Pénicaud workshop, used at the time it was under the direction of Jean Pénicaud II. The border is composed of gilt scrolls with alternating masks and vases in gold "camaïeu." The enameller copied a print by Marcantonio Raimondi, one of a series of the Twelve Caesars.

The back of the plate depicts a trefoiled ornament with three masks and sprays, and, in the border, light scrollwork designed in grisaille.

Inscription

[Transcription] A VITFILIVS GERMAN IMP P M TR P

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Charles Mannheim Collection [catalogue by E. Molinier, no. 168, attributed to Jean Pénicaud II]; J. Pierpont Morgan, New York, no. 985; Arnold Seligmann, Rey & Co., New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1919, by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

1914 Unknown Exhibition Title, Metropolitan Museum of Art, 1914. The Metropolitan Museum of Art, New York.

Conservation

Date Description Narrative
7/9/1965 Treatment loss compensation; other
Share
  • social-item
  • social-item
  • social-item

Geographies

France, Limoges (Place of Origin)

Measurements

Diam: 7 5/8 in. (19.3 cm)

Credit Line

Acquired by Henry Walters, 1919

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

44.166

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios