Mirror Case with the Castle of Love
(Medieval Europe )
Within a frame of eight lobes, two couples appear below the Castle of Love, from which the god of Love, winged and crowned, throws arrows down upon them. The youth on the left is crowned by his lady while the right-hand pair embrace. Kneeling figures are shown on the battlements on either side of the god of Love. The men wear capes and hoods over the cotehardies; the cotehardies of the women have liripipes at the elbows. The circular format is brought to a square with triangles of leaves at the corners, incised with veins. The carving is very rough in quality.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Viollet-le-Duc (?) [a text glued to the reverse records an 1858 description of the object by Viollet-le-Duc]; Henry Walters, Baltimore, 1926, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
2009 | Romance of the Rose: Visions of Love in Illuminated Medieval Manuscripts. The Walters Art Museum, Baltimore. |
1995-1996 | Medieval Games of Love and War. The Walters Art Gallery, Baltimore. |
Geographies
France (Place of Origin)
Measurements
H: 3 3/4 x W: 3 3/4 in. (9.5 x 9.5 cm)
Credit Line
Acquired by Henry Walters, 1926
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
71.167