Malet-Lannoy Hours
(Manuscripts and Rare Books, Medieval Europe )
This Book of Hours was made ca. 1420-1440 for use of Rome in northeastern France or Paris, as suggested by the contents in the calendar and the inclusion of a suffrage to St. Avia. Although the identity of the initial patron is unknown, his heraldry was added thirty-five times throughout the book. The manuscript was owned within the first decades of its creation by Thomas Malet of Berlettes and Jeanne of Lannoy, whose heraldry was added early into the manuscript as well. This was likely in the 1430s, coinciding with their marriage, and the addition of a miniature depicting the Marriage of the Virgin at this time supports this. This manuscript contains twenty-seven additional miniatures, some of which are of particular iconographical note, such as St. Luke painting the Virgin (fol. 17r). The inclusion of this depiction, as well as other compositional and style choices, link this book to the Master of Morgan 453.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Thomas Malet of Berlettes and wife Jeanne of Lannoy, near Lille, c. 1435-1440. Acquired by Alfred H. Huth, London, before 1910. Sotheby's Sale, London, 12 June 1913, lot 3803; purchased by Leon Gruel, Paris, 13 June 1913; purchased by Henry Walters, Baltimore, MD, 1913; by bequest to Walters Art Museum, 1931.
Exhibitions
2014-2015 | From Pen to Press: Experimentation and Innovation in the Age of Print. The Walters Art Museum, Baltimore. |
2004 | Illuminating the Word: Gospel Books in the Middle Ages. The Walters Art Museum, Baltimore. |
1995 | Manuscript Sleuthing: Discoveries of a Curator. The Walters Art Gallery, Baltimore. |
1994 | A Bouquet of French Manuscripts: Remembering Eleanor Spencer. The Walters Art Gallery, Baltimore. |
1993 | Bookish Business: Henry Walters and Leon Gruel. The Walters Art Gallery, Baltimore. |
1990 | Outdoor Space in Medieval Book Illumination. The Walters Art Gallery, Baltimore. |
1988-1989 | Making Music in Medieval Manuscripts. The Walters Art Gallery, Baltimore. |
1989 | Art in the Book:The Vision of Architecture, Painting, and Sculpture in Illuminated Manuscripts. The Walters Art Gallery, Baltimore. |
1988 | Time Sanctified: The Book of Hours in Medieval Art and Life. The Walters Art Gallery, Baltimore. |
1986 | The Naked and the Nude. The Walters Art Gallery, Baltimore. |
1984-1985 | Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore. |
1984 | The Taste of Maryland: Art Collecting in Maryland 1800-1934. The Walters Art Gallery, Baltimore. |
1962 | The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore. |
1953-1954 | Medieval and Renaissance Illuminated Manuscripts. Los Angeles County Museum of Art, Los Angeles. |
1982-1983 | The Last Flowering: French Paintings in Illuminated Manuscripts, 1420-1530. The Pierpont Morgan Library, New York. |
Conservation
Date | Description | Narrative |
---|---|---|
7/14/2014 | Treatment | binding stabilized; examined for digitization; media consolidation; splits mended |
Measurements
Folio H: 8 3/8 × W: 8 7/16 in. (21.2 × 21.4 cm)
Credit Line
Acquired by Henry Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.281