Creative Commons License
Portrait of Jacques-Auguste De Thou (?)
(Renaissance Europe )
Portraiture, which flourished in the 16th century in France, continued for the most part in the Franco-Flemish tradition of the realistic, straight-forward likeness established at the end of the Middle Ages. Painted enamel on copper was a good medium for small portrits because the image is so clear and has something of the glossy character admired in objects intended for decoration of the home.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Germeau Collection, no. 5; Frédéric Spitzer, Paris, by purchase; Sale, Paul Chevallier and Charles Mannheim, Paris, April 17, 1893, no. 537; Sigismond Bardac, Paris, by purchase; Liquidation Sale, Seligmann Bros., Paris, March 16-17, 1914, no. 73; Arnold Seligmann, Rey & Co., New York, 1914, by purchase; Henry Walters, Baltimore, 1914, by purchase; Walters Art Museum, 1931, by bequest.
Geographies
France, Limoges (Place of Origin)
Measurements
H: 7 5/8 x W: 6 7/16 in. (19.3 x 16.3 cm)
Credit Line
Acquired by Henry Walters, 1914
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
44.62