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Image for Leaf from Commentarii in Somnium Scipionis: Map of the World
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Leaf from Commentarii in Somnium Scipionis: Map of the World Thumbnail
Leaf from Commentarii in Somnium Scipionis: Map of the World Thumbnail
Leaf from Commentarii in Somnium Scipionis: Map of the World Thumbnail
Leaf from Commentarii in Somnium Scipionis: Map of the World Thumbnail
Leaf from Commentarii in Somnium Scipionis: Map of the World Thumbnail
Leaf from Commentarii in Somnium Scipionis: Map of the World Thumbnail
Leaf from Commentarii in Somnium Scipionis: Map of the World Thumbnail
Leaf from Commentarii in Somnium Scipionis: Map of the World Thumbnail

Leaf from Commentarii in Somnium Scipionis: Map of the World

French (Artist)
Ambrosius Aurelius Theodosius Macrobius (active ca. 395–423) (Author)
ca. 1175-1200 (Medieval)
ink and paint on thin to medium-weight calfskin
(Manuscripts and Rare Books, Medieval Europe )

In the early fifth century, the neoplatonic philosopher Macrobius produced an important commentary on a segment of Cicero’s De Republica known as the Somnium Scipionis, or “Dream of Scipio.” In this dream, Scipio Africanus tells his grandson about the nature of the universe and the movements of the planets according to the beliefs of ancient Greek philosophers. These included Pythagorean concepts about the music of the spheres, in which each planetary sphere emitted a specific tone, and which created harmony with the other planets as they moved. Cicero’s text provided a foundation upon which Macrobius could then build with his own thoughts on physics, astronomical concepts, and planetary harmonies.

This copy of Macrobius' commentary was produced most likely in northeastern France in the late twelfth century. The manuscript includes seven major diagrams, of which four are original to the manuscript (fols. 38v, 41r, 43v, and 47v) and three others, including a map of the world, were added early in the history of the manuscript (fols. 64v, 65v, and 66r). Additional minor diagrams demonstrating relationships in philosophical ideas or other concepts introduced in the text appear throughout the manuscript in the margins, added by later hands.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Franciscan ownership, 14th century [1]. Acquired by Abbot Luigi Celotti [ca. 1768-1846] [2], first half 19th century; Celotti Sale, Evans, London, 14 March 1825, no. 478; purchased by Thomas Thorpe [1791-1851], London, 1825. Acquired by Sir Thomas Phillipps [3]; Phillipps Sale, Sotheby's, London, April 27-May 2 1903, no. 749; purchased by Bernard Quaritch, 1903; purchased by Henry Walters, Baltimore, 1903; by bequest to Walters Art Museum, 1931.

[1] notation on fol. 66r
[2] "Celotti" added on front pastedown during first half of 19th century
[3] Ms. 1029

Exhibitions

2001-2002 Expanding World Views: A Millennium of Maps. The Walters Art Museum, Baltimore.
1992 A World of Foreign Lands. The Walters Art Gallery, Baltimore.
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Geographies

France (Place of Origin)

Measurements

Folio H: 8 × W: 4 1/2 in. (20.25 × 11.5 cm)

Credit Line

Acquired by Henry Walters, 1903

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

W.22.64V

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Parent Object

Image for Commentarii in Somnium Scipionis

Commentarii in Somnium Scipionis

French
ca. 1175-1200 (Medieval)
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21201

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