This Book of Hours was created ca. 1450-55 in Bruges by Willem Vrelant and associates. It was commissioned for its first owners, a husband and wife, who are depicted on fols. 138r and 150v, respectively. This book contains eighteen extant miniatures, including many unusual thematic depictions, such as the Buffeting of Christ (fol. 24r) in the Hours of the Cross, and a very Dürer-like depiction of the Holy Face in the Suffrages (fol. 146r).
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Eugéne Paillet, Paris, mid-late 19th century; purchased by Damascéne Morgand, 1887. Purchased by Henry Walters, Baltimore, early 20th century; by bequest to Walters Art Museum, 1931.
Exhibitions
2002
A Renaissance Gem Revealed: Petrarch's Triumphs Disbound. The Walters Art Museum, Baltimore.
1997
Images of Devotion: Personal Piety in Medieval Manuscripts and Ivories. The Walters Art Gallery, Baltimore.
1996
Daily Life in Medieval Books. The Walters Art Gallery, Baltimore.
1992
Manuscript Illumination in Flanders. The Walters Art Gallery, Baltimore.
1990
Outdoor Space in Medieval Book Illumination. The Walters Art Gallery, Baltimore.
1988
Time Sanctified: The Book of Hours in Medieval Art and Life. The Walters Art Gallery, Baltimore.
1984-1985
Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore.
Conservation
Date
Description
Narrative
10/20/2014
Treatment
binding stabilized; examined for digitization; media consolidation